Embroidered-Look Pup Framed Canvas Art

A pale horse with its head down, painted flat against solid slate blue — no landscape, one dark eye, nothing else. White wood frame. Two sizes, 7 x 9 and 11 x 15 in across the frame. Glass-free.

Two swans mirrored — a white one above on dark, a black one below on light, wings spread toward each other. A 1915 illustration in a medium brown wood frame. Two squares, 6 x 6 and 9 x 9 in across the frame. Glass-free.

A pencil botanical study reproduced on framed canvas — olive paper, graphite branch, monogrammed HR in the corner. 11 x 15 in measured across the frame, so the image sits smaller. Glass-free, hardware included.

A bay horse in three-quarter view — white blaze, black bridle, dark ground, with an inscription in the corner. Head and neck, close in. Ornate grey-and-gold frame. 5 x 7 in across the frame. Glass-free.

The 1874 design drawing for a plate, not a photo of one — a garden landscape ringed by a stylised leaf border, in blue-grey wash with the pencil lines still showing. Natural wood frame with a wide charcoal inner border and a thin gold lip. 8 x 8 or 15 x 15 in across the frame, so the drawing is a good deal smaller. Glass-free.

Copenhagen carried the Duke of Wellington at Waterloo. This is the unfinished study — the horse fully painted, the rider still a faceless blank in uniform. Black frame with a ribbed gold inner lip. 5 x 7 or 12 x 16 in across the frame.

Natural marble, 5.1 in across — Carrara white or Emperador brown, veining different in every one. Dry food only; wipe and dry it straight away.

A reclaimed wooden drawer with a recycled-fabric cushion set into it. Around 24.6 x 15.7 x 4.3 in — but drawers vary, so no two are the same size or finish. Spot clean, air dry.